Saturday, March 28, 2020

Studio Porn from my Beanbag


No philosophy, no Anti Virus instructions, no Other Instructions During 
Lock Down suggestions.

Just sheer beauty. And the contrast of my life with another horrifying reality among the have nots.



So while I sit here and soaking in the silence and admiring the green stuff from my window, there is another reality to living through a pandemic. You read about huge swathes of people at bus stations trying to get home, migrant laborers literally walking long, long miles to their homes with nothing to eat, airport workers evicted by their landlords, dogs and cats abandoned on the streets, starving zoo animals....
I cannot even empathize sitting here in my cocoon.

I implore my readers to donate to the many charities circulating on social media. Here are some charities I have donated to where you can just click on a link to pay and give someone a feeding kit -
@feedingindia
@ourdemocracy.in
@travellersrescueanimals


The Statue










Wednesday, March 25, 2020

A Thought During a Lockdown

So that statue of Sardar Patel, that so many corporates donated to, (I mean my mind cannot even fathom 2989 crore), let us all observe a moment of silence (now that we have finished banging plates for the medics) and imagine what could have been done with such money at such a time in our obviously very, very wealthy land. If our dear Prime Minister can garner that much money for a statue, I fervently hope he will do it again and that he will direct the riches that exists in this country towards people in the lower income bracket during this crisis, who have to work EVERY SINGLE DAY if they have to have even one daily meal in their stomachs let alone that of their families and children.
Let us pause for a moment to think of how many subsidized testing labs and hospital set ups and all necessities required in this battle against a virus, could be organized at 2989 crore instead of for a statue. Maybe along with anti CAA protests we should rally for this too?


Monday, March 23, 2020

The Blissful Break - Some Pictures













I don't even have to tell you what became of the gooseberries.




Words to Live By - A Reminder to Myself




This is a quote from Meghan Markle's now deactivated blog. It gives me an insight into the kind of woman she is and why she made certain choices which are in the news today. I don't mind reading this several times over, therefore I have taken the liberty to insert some of my own values as important reminders to me:

PS: 25/10/2024 As with so many quotes online, one is never really sure who wrote them. I had initially found the quote below on Markle's Instagram account, but I later found out that it has been attributed to Meryl Streep and even that, I am not so sure. Therefore, I am writing this note here.
My opinion of Meghan Markle has of course changed with time. While I was initially impressed by her confidence and pizzazz, I, like so many others have changed my mind. I don't even have to mention the reasons here. I do like the quote very much, therefore it remains on my blog.


I no longer have patience for certain things, not because I've become arrogant but simply because I've reached that point in my life where I do not want to waste more time with what displeases me or hurts me. I have no patience for cynicism, bad manners, excessive criticism, sexism and demands of any nature. I have lost the will to please those who do not like me, to love those who do not love me and to smile at those who do not want to smile at me. I no longer want to spend a single minute on those who lie to me or want to manipulate me. I will not work for those who show a lack of professionalism or do not value my expertise enough to pay my work its worth. I will not tolerate passive aggression and sarcasm. I will not be dehumanized by those who lack phone etiquette. I have decided not to coexist anymore with pretence, hypocrisy, dishonest and cheap praise. I do not tolerate selective erudition nor academic arrogance. I do not adjust either to malice or to popular gossiping. I hate conflict and comparisons. I believe in a world of opposites and that is why I avoid people with rigid, inflexible personalities. I will not accept any form of proselytizing or prejudice regarding race or colour. In friendship, I dislike the lack of courtesy, of sensitivity, of loyalty and betrayal. I do not get along with those who do not know how to give a compliment or a word of encouragement. Games of one-upmanship and scoring cheap points bore me, as do easy generalizations. I have difficulty accepting those who do not like animals. I have a problem with those who enter my home and do not treat me or my property respectfully. And in addition to everything, I have no patience towards those who do not deserve my patience.

Agree to disagree is reserved for things like, "I don't like coffee". Not racism, homophobia and sexism. Not human rights, not basic common decency. If I unfriend you during this, it IS personal. We do not have a difference in opinion, we have a difference in morality.
~ Liz on Twitter

Sunday, March 22, 2020

Thank You






In the midst of bitching on my blog, I paused and hauled my arse to my studio window to clap my THANK YOU at 5 pm to all brave people, airport workers, medical personnel, delivery boys, grocery store personnel and so many others who are there on the front lines assisting us and battling this pandemic to make the world liveable once more. Thank you.

Conversations


 First, I have to put up this charming picture on my blog of this enthusiastic buyer. She saw the exhibition and came downstairs to the Champaca Books Pop Up to buy it for herself and her equally enthusiastic daughters.


Many people met me and later connected with me on social media to tell me how much they loved the show. Here is another one -


This is the very nice email that Nitesh (@nimo_obscura) wrote to me:
Hi! Priya... I wanted to reach out and thank you for sharing your artistic expression through this endearingly beautiful book... My students Loved your art and how you've evoked the story through the use of dry pastels... I keep trying to introduce new artist to my students so they can understand the style, technique and approach from them and it was a delight to see how much they adored "Is it the same for you?"


I had several interesting conversations, one of them with the Champaca Books person, very attuned to what a potential reader wants. We had this brief excellent exchange of opinions about Hilary Mantel and Rebecca Solnit whereupon he handed me Tishani Doshi's latest - Small Days and Nights and a bit later into the conversation read me a passage from Trick Mirror which resulted in me buying that too, a book I would have never considered otherwise.



The other bunch I spoke to were the City of Women podcast people (yass, one of them is a reader of my blog). I was asked about a pleasant memorable experience in Bangalore and naturally I said that my happiest moments have been sketching my surroundings with like-minded friends: You don't really have to talk (though we do), you sit in companionable silence and you draw the scene in front of you while engaging with the environment around you.
We also spoke about other things, which were not recorded for the podcast, and one of them was about my post about my Arty Party which initiated a discussion about private fantasies and making them come true. I don't remember very much what was said anymore except that we were laughing very hard.

And then there was M from a Children's Book Pop Up upstairs with whom this bizarre conversation took place:

Me: Hi, I'm Priya. I've illustrated a book called Is It The Same ForYou?, the illustrations are being exhibited in the second floor. I came here to say hello to your partner who I've wanted to meet.

M: Oh you've illustrated a book? Who was the author?

Me: Neha Singh

M: Oh! You illustrated I Need to Pee! You must be Meenal Singh then! She illustrated I Need to Pee!

Me: No, I am Priya Sebastian. I illustrated Is It The Same For You? 

M: You are not Meenal Singh then? I Need to Pee? But...you said you illustrated a book written by Neha...so you must be Meenal Singh!

If my attempt at conversation was a road, then this woman's reactions seemed like a boulder in the middle of the road.

 ....

Then some time later I encounter the woman again:
M: Oooooh Priya, I saw your work upstairs, it is soooo exquisite and so emotional, I cannot help crying, I am so so sorry I mistook you for Meenal Singh, her work is very different... (stop right there !!!)...so can I please, please give you a hug? Etc




Thursday, March 12, 2020

The Show






The inevitable pictures from the show, all neat clean lines with small blocks of colour.

Below, a close up of the framed pictures. 






One of the central difficulties for art historians and indeed for anyone interested in art is what might be called the matter of taste. Can taste ever be a reliable yardstick?

No we should never have an intellectual arguement based on the stomach's response to things, though I do think you can trust your stomach, since it is often a very reliable guide as to whether something is good. I know that sounds absured but it is the same kind of visceral clench that you get when wonderful music is being played. It should do the same when you are looking at something. 
~ Brian Sewell








Thursday, March 5, 2020

Exhibition for International Women's Day


There will be an exhibition of my archival, fine art prints from my book 
on the 8th of March, which is International Women's Day, at the fabulous Bangalore International Centre
The show is in collaboration with Goethe Institut, Bangalore.
 Do come and take a look. 




I am pleased that BIC also invited me to do an illustration for their poster which has been so elegantly incorporated into the designs by Chandni Venkataraman.
Many thanks to Mr.T for enthusiastically inviting me to exhibit my work, connecting me to Max Mueller Bhavan and asking me to illustrate the theme for IWD. He is a long time reader of my blog :)





This is the original illustration that I did for the poster.



See you on Sunday, March 8th at BIC.

Wednesday, March 4, 2020

Drip Drip Drip of Violence


Some of us who have an awareness in varying degrees about the brutality of the pogrom happening in this country (I say some of us, because really, there is another half of people I know who have told me they really don't give a damn) are watching with incredulity, horror and mostly helplessness as situations get more severe and barbaric by the day. 

Some time last year, on a journalist's newsfeed, I read how the political party now in power, steadily incited violence against people of a particular religion. She described their tactic: never a full onslaught of violence but isolated incidents, one brutal assault here, another severe bashing up there, a barbaric rape somewhere faraway, the slow drip, drip, drip of violence random enough so that the rest of the country by and large remained complacent enough not to react so that inevitably now we fast forward into the full on barbarism that is playing out today. 


This drip drip drip technique seems the norm for a prelude to violence and it is violence in itself except that its randomness can seem innocuous until we view it in retrospect which is usually too late. These acts of violence can also happen person to person, friend to friend, always starting small: the tiny doses of unsolicited advice, the mocking of your mannerisms, the passive aggressive rejoinders; God forbid you react with anything other than good humour, you are told they are doing this because they are only teasing you, because they are comfortable with you; but there is no denying that it is violence all the same, the prelude to violence is a part of the violence, it is violence, because if it isn't stopped right there it escalates to the point where you are spat at rather than listened to, you are told your choices are wrong, your needs are negated, you get cut off mid sentence, and before you know it you are dismantled and effectively muzzled.

Also, if there is that one instrument which is used the way a savage would use a club, it is the mobile phone, that device which people use to score points and dehumanize each other. When you use the phone without regard to the other you dehumanize, you breach a basic norm of decency and when you do so it is an act of aggression. When you fail to recognize the humanity in another you reduce yourself to sub-human, even if only for a moment, and your descent during that moment is intentional whatever repugnant denial ("How dare you accuse me of savagery! I did this only because I was comfortable in your presence!) you, the perpetrator of violence may come up with.



You see it too in the small acts of everyday life, of the person who feels perfectly justified, of the person who doesn't know he's just committed harm, of the person who says something whose motives are clear to everyone but her, of the person who comes up with intricate rationales or just remains oblivious, of the person we've all been at one time or another. Taken to an extreme, it's the mind-set of murder; enlarged in scale it's war. Elaborate are the means to hide from yourself, the disassociations, projections, deceptions, forgettings, justifications, and other tools to detour around the obstruction of unbearable reality, the labyrinths in which we hide the minotaurs who have our faces.

~ Rebecca Solnit.
The Faraway Nearby


Illustrations made for Margaret Atwood's poem Secrecy.
Let this flood of women's stories never cease.





Tuesday, March 3, 2020

Arty Party



Since the model from the Life Drawing sessions was open to private posing, I invited some of my interested illustrator colleagues to my home along with the model. The difference was huge. 15 minutes per pose is a lot of time as opposed to 1 minute and 2 minute poses at the crowded life drawing sessions. The natural light at my home was at its best and the model, posing amidst the potted palms looked like a woman in a Gauguin painting.
Life drawing is difficult. You need to be given a firm foundation in art college, something which most of us do not get, and the one colleague of mine who made excellent drawings (with a felt pen that too) had some grounding at JJ School of Art. I was pleased that with just a few regular sessions of Life Drawing, my own figure drawing skills have improved, especially with the leisurely pace we were indulged with.




When illustrators get together to socialize, they need a "purpose", and drawing from life provided that. I guess it is the equivalent of a party theme. There was one exemplary 3 year old boy engrossed with his train set in one of the bedrooms. The other "boy" at the table was engrossed with his phone. He came and left with the model. There were salads and foccacia for lunch, but the serene superwoman mom of the 3 year old baked and brought the best New York Cheesecake ever. While all of us decided we must call a model over for private sittings like this again, I think we also (read I also) secretly hoped there would be cheesecake as an accompaniment every single time.