Gesture

A less bleak post for my rather neglected blog - Handmade cards to be given to people I don't particularly know very well, but who have been very kind to me. Making a card is probably a more appropriate gesture of thanks than going to a fancy shop and spending 5 bucks on something trite. And Monochrome on white is most suitable. It is the combination I love best and it is what I see all around me.

Rapid Changes

Five months. Lush green tropical summer, rich golden red autumn, bleached out bare grey branches,white of full-blown winter... the contrasts are shocking, the dramatic changes of light and colour play tricks on a tropical brain, I am hallucinating, everything shimmers, I am underwater.

White people turn colourless in winter, their skin completely desaturates, transparent, bloodless, I walk through a city full of ghosts. The sidewalks are piled high with melted sugar.Black flowers grow in them.

This is what I see in films, art films where everyone is talking animatedly and eating plates full of salad before wearing dark coats and walking out into the cold searching for lost love. 

I have to tell myself over and over that this life around me is not film but reality, a tangible reality which I am within and part of...but the darkness around me says otherwise, I am inside a cinema theater, I am an observer watching my life in a story on screen. 

Without a Pause

l'hiver

Winter is a strange dream, monochromatic, abstract, bleached of all inessentials. Unusual images, alternate textures, pieced together on white paper. It is dark at noon and snowflakes fall. Flurries. Oh, the utter absolute frightening beauty of it all.

The Congregation

Once upon a time, long ago in another world, I used to go to a place of worship. Sometimes I would be asked to read from the Holy Book. When I stood at the lectern, ready to read, I would glance up for a moment at the faces before me, and this drawing above is what I saw.What terrified me was that once I finished reading from the Holy Book, I had to step down, walk towards this congregation and be a part of them.

I have done this drawing with giant sticks of Senelier Oil pastel. They provide a kind of knobbly resistance when used on Moleskine sketchbook paper giving a strange crude texture which is appropriate for this image. 

Unreality

Crowded cafes, beautiful people, green hair, red cups, I set time backward...I am turning the pages of a glossy magazine I am inside photographs watching unreality around me. Shops sell diamond salt from the mines of Kashmir, there is a Papier-mâché table before me, black chandelier above me, person in front of me eating a donut, he dissolves into an artist in Mont Royal eating pumpkin cheesecake who crumbles into an architect from Mile End drinking cappuccino, they have silver hair, their faces are paper white, they wear coal black, they look alike and multiply...then their faces melt, like pumpkins after Halloween, there is a deer skull on the shelf.

Autumn. Flowers like my dreams at night retain their structure, the desaturation button moves slowly, slowly to the left.

The Mushroom Hunter

The thoughtful amongst you might think that this serene picture is one of a poet out for a walk in the woods in search of inspiration, at one with nature, in touch with his inner soul. But think again discerning readers, look again! This picture has a far more chilling undercurrent to it than what seems apparent on its warm, dappled surface; clutch your hearts and hold your breath, this here is a picture of a hunter, the most lethal of them all – A Mushroom Hunter.
Before I detect the slightest smirk on your faces allow me make my point. Hunters of wild beasts saunter around the jungle with large guns and upon sighting prey in the distance, merely lift their guns and pull a trigger, BANG, the prey staggers and dies, the hunter walks up to the bloody carcass, takes a selfie with her foot on the body, drags it over to the jeep and drives away. Yawn. Anybody can do that. It is The Mushroom Hunter who is far more dangerous. One moment he is merrily driving along peaceful country roads chatting about graphic novels and ground coffee and the next moment he screeches the car to a halt much to the surprise and consternation of his passengers, “Good heavens! Is something wrong? Why did he stop?” And that is the instant when you see a Mushroom Hunter in action. He darts across the road to an empty field, unsheaths his sharp, special mushroom dagger, swoops down with a yowl of delight on helpless, quivering little shaggymane mushrooms huddled together, swiftly chops off their heads and places them in his trophy basket. If that isn't chilling enough there’s more mind you! A mere walk in autumn woods is fraught with action. You might have had a meditative stroll in mind, that moment of getting in touch with your Shakti that your Guru so recommended, that you were so eager to experience, you are admiring the colors of the trillion, zillion autumn leaves on the forest floor, you are just about to attain nirvana through peace and happiness when the Mushroom Hunter screeches to a halt before you and plunges his dagger into gazillion leaves on the ground and comes up with a teeny weeny quivering mushroom which he is ecstatic about and which he holds aloft before your bewildered eyes. “See? See!” And then as you sit trembling in recovery at the dining table, these mushrooms are fried in butter and brought before you to be eaten. No blood and gore of animal killers mind you, just swift, lethal, ruthless decapitation and dinner. Takes nerve to be the guest of A Mushroom Hunter I tell you. Phew!

And yes, well, here is the photograph of one of them.

Country

A weekend with friends in Sutton
A constant downpour of nature
An endless overflow of all of life’s good things
How does one process so much beauty?
How can one truly give thanks for this much blessing?
I am not yet ready to know how to make my palette
retell this abundance of new colors and emotions.



A beautiful blog >

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‘You look well-settled’ is the phrase I hear most often for the pictures I post on Facebook. There are others, less gullible, more curious, who want to know what the immigrant experience is really like. To give the right answers, I can perhaps do best with drawing out the series of images that keep recurring in my mind. These days my experiences are images and emotions which I know will fall apart completely if described in words. Maybe these drawings will become proper complete works one day, but for now, they are within the pages of a sketchbook, a visual record of a slow careful transition from one world into another, where every decision has to be weighed carefully before it is acted on; putting down roots takes time, the past has wiped itself out, the future is hazy, my goal is clear.

"You will find your own ethical dilemmas in all parts of your lives, both personal and professional. We all have different desires and needs, but if we don’t discover what we want from ourselves and what we stand for, we will live passively and unfulfilled. Sooner or later, we are all asked to compromise ourselves and the things we care about. We define ourselves by our actions. With each decision, we tell ourselves and the world who we are. Think about what you want out of this life, and recognize that there are many kinds of success."

 ~ Bill Watterson

Sketching in Montreal

A Plum Tree! Downstairs!

Sketching at Parc LaFontaine

The light in Bangalore was yellow, in Montreal my photographs look as if a blue filter 

has been placed over them.

Below, sketching companion 

 Along Ruelle Vertes and flowering pavements

Walls are green and tigers are tame

t

And of course, more Arrrrht in Montreal

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This quote from Clive Hicks-Jenkins -

If I had a single piece of advice to offer to any artist, it would be this: whatever your practice or medium, draw constantly. Be like the dancer, who never lets a day go past without a class. Draw as much as you can, wherever you can. Draw from observation (of course) but draw for practice too, from memory or from imagination, mark-making for precision or beauty-of-line alone, regardless of subject or likeness. Draw with pencil, with nibbed-pen, with charcoal or crayon or Conté pencil or biro. Draw with brushes and inks, or twigs dipped in watercolour or with old toothbrushes or the tips of feathers. Draw with anything. Subvert habit with new experience. Drawing can be for recording, but more than that it’s an expressive form that can be endlessly reinvented. Keep project-books and work at them even when the spirit doesn’t move you. Work in them out of discipline and respect for your art-form. They’re money in the bank for later, when you need the inspiration stored in them. Draw. Draw again. Never stop drawing.

Drawing is life.

Heart

Long ago I watched an Antony Bourdain show where he was invited into the home of an Inuit family in a remote part of Greenland in Quebec, Canada. They killed a fresh seal, brought it home, gutted the seal on the floor and proceeded to eat the innards of the seal. Then the host reverentially handed over the seal’s  eyeball to Bourdain who partook of it. The raw seal eyeball was delicacy, the best part of the seal. It was given to the guest as a gesture of friendship. The point was not so much in whether Bourdain ‘liked’ the eyeball or not but that he accepted that gesture. The offer of the delicacy and its acceptance was a bridge across cultures, a symbol of respect and friendship.

Here in Montreal, a lovely couple invited me, a newcomer, to their beautiful home. The hostess had earlier been to Marche Jean Talon and procured fresh food for the meal. She had also thoughtfully bought for me a particular food that I had once mentioned I had never eaten before. There on the balcony, in the soft evening light, over wine and beer, she placed plates of this food in front of us and showed me the unusual way of eating it. When I thought I’d finished eating I was told that within the remnants lay the best part of all – the heart. Then my host took my plate, helpfully cut up the core, speared something on a fork and handed it over to me.
“Here it is” he said, “Here is the heart”.
At that moment I remembered Antony Bourdain being given the seal's bloody eyeball. Because I was in Montreal I was given to eat an unusual flower with a heart in the centre, in another country erm, part of Quebec, I would have been offered something quite different. But whatever it was that was offered to me that evening, it was a beautiful gesture of friendship, a bridge between cultures and an invitation into a different world.

An excellent blog by a Montrealer >